In this case the esteemed Canon RF 50mm f/1.2L is currently selling for $2,299 - and that’s after a $1,400 discount. Expect your wallet to take a hit as, like most modern Canon RF lenses aside from the 50mm, they are priced like Ferraris or Lamborghinis. Professionals will likely want to step up (way up) to the 50mm ‘Red Ring’ version.
One thing to note is there’s no image stabilization on either version. And both are also rated at f/1.8 so they’re excellent performers in low light. There’s a Canon RF 50mm version that goes for $169, while the classic EF version sells for $125.īoth feature STM (Stepping Motor) so focusing is near silent and incredibly smooth. Consider price/performance and this thing is off the charts. The one I typically recommend is also the least expensive. Our pick is the entry RF and EF 50mm f/1.8 which is a wonderful, inexpensive all-rounderĬanon makes several versions of its 50mm lens. Which Canon 50mm is the one to buy?Ĭanon 50mm lenses range from $125 up to $2,299 and beyond Still, in the right situation the 50mm will provide that classic look that’s just undeniable in terms of cinematic aesthetic. For short films and music and wedding videos, however, you may need to change lenses or use zooms as required. Of course, Vloggers and YouTubers can simply pop on a wide angle 8mm lens and just shoot as they need, no lens changes required. Shooting a video project with just one lens can also be challenging, but rewarding. Relying on your eye and skill to carefully compose without any shortcuts can eventually, I believe, improve your photography abilities over time with practice.įor videography some of these same principles apply. And because you can’t simply twist a zoom dial to get closer or further from your subject you may even have to walk around to get the result you want. It makes you think carefully about composition. On the other hand, a 50mm challenges the user. Same too if you want super zoom performance for, say, wildlife or close-ups. Sure, for landscape and situations where you need a wide field of view a lens like this might not be the right choice. Try shooting with a single lens for your next project Using a single prime lens places emphasis on skill The Nifty Fifty Can Challenge Your Photography Skills - in a Good Way Otherwise I prefer the close-ups and more interesting views of various products that you can achieve with the Nifty Fifty. In some cases you’ll either need to stand much further back to get the entire item in view, or, more likely, switch to a wide angle lens. I use it all the time on Stark Insider for close-ups most recently for our espresso articles.
BEST FULL FRAME CANON CAMERA PROFESSIONAL
Using the Canon 50mm for product photography is satisfying and can produce professional results. MSRP: From $125 ( try Amazon for the best deals) Product Photography with the Canon EOS R5 and 50mm f/1.8 Lens That’s perfect for portraits, street photography, product shots and general use. On a full frame camera such as the R5 the 50mm gives you that classic focal length, with no crop. In fact, today it remains the only native lens I own - for my existing EF glass, including Sigma zooms, I use a RF/EF adapter which works well. When I bought an EOS R5 a few years ago the very first lens I purchased was a Canon 50mm RF. Perhaps it’s a teaser, to woo us into the EF and RF ecosystems? If so, fine by me. I find it kind of interesting Canon has opted to keep the 50mm priced so low. Don’t forget this is a company that makes lenses easily costing $2,000 to $3,000 and more. Starting at just $125 USD ( for the EF mount) it’s hard to believe you can get Canon build quality for that kind of price, despite inflation, supply chain challenges, and all those headwinds. They let in plenty of light thanks to a low f-stop rating, they’re light, and they produce outstanding image quality.īest of all when it comes to this lens is: the price. There’s a reason why almost all Canon shooters have one in their bag.
Dubbed the “Nifty Fifty” the Canon 50mm lens is simply unmatched.
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